THE STORY SOLUTION is a powerful new book on screenwriting by Eric Edson that will help make your screenplay writing more enjoyable, effective and successful. This book offers a completely unique approach to writing a movie script that will keep producers, agents and audiences glued to their chairs. If you are seeking advice on writing a screenplay or looking for screenwriting tips, Eric Edson’s THE STORY SOLUTION is one of the best screenwriting books to consider for your library. Accomplished screenplay writer and university professor Eric Edson reveals the 23 actions used in every successful movie to create dynamic, three-dimensional heroes while linking together all parts of a captivating screenplay from first page to last. This book offers both new screenplay writers and scriptwriting professionals the tools necessary to construct a forceful emotional ride in their storytelling. Writing screenplays is not easy. Eric’s paradigm of HERO GOAL SEQUENCES has raised his book into Amazon’s top list of the best books on screenwriting. Clear and fun to read, THE STORY SOLUTION brings to light an innovative way to insure effective plotlines for both screenplays and novels.

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Based on 242 Reviews

Eric Edson was my professor, and I can testify first hand, because I received notes from this book before it was published. I sat in his classroom and couldn't believe this innovative information that I knew was going to become monstrous once it was revealed to all. He has researched films throughout the years and has found a method in understanding what makes a box office hit, structurally tells you how to do this, in a way that no one yet, even the greats, have fully tapped into. My screenwriting approach will never be the same again. It allows you to find an incredible answer to structure, character, story, everything that makes a script wow the reader, and frees you all at the same time. This book is for all writers, veteran, newcomer, and in between. I personally have benefited in the industry as I have put my projects out there, and I can tell you, this works. It wows. And if you truly follow it, and let it liberate you as a writer, you will fly to places you never thought possible. BUY THIS BOOK!

It has always been for me that by reading books such as "Story Solution" I gain a better understanding of myself and others. This book, more than any other, is helping me to write my screenplay. It is definitely required reading if your going to write any story.

Wonderful, helpful book on screenwriting. This book has helped me immensely in writing my own screenplay, which I quickly realized I was lost in and I needed some education on it. I took a lot of notes while reading The Story Solution, which is so practical in its guide for writing. It doesn't teach a formula for stories, but it very plainly says, "A hero must have this goal, then another, then these complications must happen," etc., and there are virtually infinite variations for that to keep the audience's interest. That to me makes it more helpful than more abstract books about screenwriting (though those can be very helpful, too). And it's a fun and exciting read. I loved it and will probably re-read it several times.

Eric Edson's method is great for writing a heart-racing, fast-paced action/thriller. It won't work for every genre, but think "The Sons of Katie Elder" or "Back to the Future" type scripts. The five top books in my script writer's tool box is this one, Save the Cat by Blake Snyder, Story by Mckee, Screenwriter's Bible by David Trottier and Anatomy of a Premise Line by Jeff Lyons. All different approaches for the same or different genres and types of scripts.

I'm a professional screenwriter and took Eric Edson's class at UCLA several times when I was working towards my certificate in screenwriting because it was simply the best class in structure I'd ever taken. Each semester we analyzed new movies according to his breakdown and it really clicked for me more than just hearing about 3 acts, or 8 sequences that others teach. Eric Edson's breakdown is precise, accurate, and helped me rewrite every one of my scripts. I've used my notes from his classes all those years ago, and was thrilled to find his book at the UCLA bookstore the other day as it contains all the same class information plus much more. Once again, it is helping me figure out what I need to do to fix my latest scripts. Thank you Professor Edson. One of these days I'll owe you a shout out from the Academy Awards!

The beginning, covering basic structure, is great for first-time screenwriters. The 23 actions are brilliant and a great way to check yourself as you write and especially as you do your revisions. One of the best for structure.

As an aspiring screenwriter I found "THE STORY SOLUTION" by Eric Edson an amazing resource. This book is an easy read and very helpful. I'm going back to my first three screenplays and applying what I learned from, Eric to improve my stories.

I have read over 200+ books on screenwriting, a most difficult craft to master (I am still on this long journey's path!), most such books rehash the same old same old. Regardless of whatever how-to book(s) on screenwriting you have read so far, get a copy of this book as soon as you can and read it cover to cover. Twice. Three times. Aristotle's three acts, and the typical 8 or so plot points one learns from Syd Field, Michael Hauge, and others is fine for some fundamentals. Then there are a few books that even teach structuring a film minute by minute (literally, as in 120 story beats, a book I read recently). This approach, 23 sequences or beats, seems like the best yet. I already created a template with the 23 actions each hero must take, plugged in my outlined beats for a supernatural thriller I am currently writing, and it worked perfectly. Kudos to the author, Eric Edson, who obviously knows the craft-- he has written many feature screenplays, and also is a professor of screenwriting at UCLA-- who better to get down to business and share wisdom on the craft of proper story development.

The insight regarding character, dialog and story foundation are elegantly presented and the 23 actions provides a wonderfully clear blueprint for storytelling. I particularly liked the discussion of Fresh News. Many books and websites tell you that each scene must compel the reader (or viewer) to the next. Your book provides a clear explanation on how to achieve this essential objective. In his seminars, Eric suggests writers should play with words the way a sculptor plays with clay. The Story Solution provides the wire mesh on which to support the clay.

The best book I've ever bought!

Professor Eric Edsen, does a great job in presenting how best to write a film play ,or any fiction. He proposes a method that is at once difficult to write but easily understood in terms of how to do it. I am following his guidance and find it delightful, but know in my heart that it will take a while to get it right. Some of his writing processes may well apply to writing non-fiction as well. I highly recommend his book as it will certainly provide the insight from many years of writing experience and observations.

I've read about a dozen books like this over the years but this one is the one that has helped me the most. Most books books cover plot, characters, scenes, etc. But no one talk about the order and placement and how you know when you are ready to move on to the next scene. The way Professor Edson writes it-gives you concrete things to work with. I remember when I took a cooking class the chef was very specific on the order to place the ingredigents and the grouping of certain ingredients together. The chef told us to watch for a certain texture in the food. That was signal that it was ready to add more ingredients. This book is the same way. No more driving around in the dark trying out this or that. I love how the Professor says if you your hero doesn't have 4 out of the 6 character traits. Go back and try again. I love that. Its like if you are going to bake bread and you don't put the right amount of yeast along with just the right around of moisture in the bread-it won't come out right and you can't blame the oven! Professor Ed edson is the William Vennard of screen writing! He teaches you the fundamentals so that you have a solid foundation to stand on. The brilliant soprano Renee Fleming always stressed the importance of knowing the fundamentals of how the voice produces sound so that you aren't a victim to the whims of your body, mental stress or environment. The same here-knowing the fundamentals of story telling and all the ingredients that goes into making a great story will give you the freedom and confidence to create your own original story regardless of the whims of the the studio executives or market. Solid story telling will stand time and time again. Thanks professor for this wonderful and much needed book! I am now ready to pull those dusty unfinished screenplays and novels out of the drawers! I feel less frustrated because now I know all the ingredients to the recipes and know when to add them in the pot and how long to cook it!! Run don't walk to get this book. You will be thanking me!

As an aspiring screenwriter, I've struggled with two aspects of the craft most, why do some characters engage us and other don't? Once you have your catalyst and act breaks, where do you go from there? Eric Edson's book is an invaluable solution to get you through the "fog" of figuring these things out for your story. While most screenwriting books only concentrate on the act breaks, Eric covers this and also guides you through everything that happens in between. Learning and knowing these steps really frees one up to concentrate on the story they actually want to tell. In addition, Eric demonstrates character traits all compelling characters exhibit, a great asset to keep your audience or reader engaged in your story. While many screenwriting books give you a compass of sorts, Eric provides a map that will help you avoid the swamps and pitfalls of the dreaded second act. In addition, he'll help you build your protagonist in a way that will keep him/her in the audience's hearts. I had the privilege of learning from some of Eric's graduate classes and The Story Solution in book form is the next best thing. With both classic and contemporary examples to illustrate the solution, I heartily recommend this book for any writer's tool box.

This book is ment to be APPLIED. While some books you can simply absorb the necessary information and move on, here it is not the case. The template in Eric's paradigm is ment to be studied and mulled over. Mastery of its content applied to the vast quantities of scripts in identifying there story structure elements. Even if you've already bought into another system of screenwriting structure (a.k.a, John Truby) I would still strongly recommend giving it a chance. Plot is story, it's amazing to see how this system Eric has devised/found applies to so many (if not all good) stories. If you aren't Steven King and can't unbury the treasures of your story, or simply don't have the time. Invest in the formula - it won't be everything you need but it will point you to exactly where you need to be.

"Solution" alright ... for writers! Finally there's a book that provides essential tools for both beginner and expert writers alike. There are scores of screenwriting books out there (I've read most of them) but this one's approach should be read first before all of them. A cinematographer achieves focus via complex optics, lighting and lenses. For a writer to achieve focus, Mr. Edson explains how to critically focus on your hero's specific goals and purpose. To take your hero on an 'emotional' journey will definitely give you the writer (and reader/viewer) clarity like never before. "The Story Solution" has helped me to achieve better focus and structure with my screenwriting. I recommend that you read it, read it again and use it as a guide for all of your writing endeavors. Plus, it's fun!

Eric Edson has unlocked a formula any aspiring/professional screenwriter or revisionist must have in their skill set. Many screenplays have great stories, but lack the pacing required to become a major Hollywood film. These proven 23 actions are seen time and time again throughout many major box office hits such as Die Hard and Collateral (to name a few). By using this method, any story will keep the viewer/reader on the edge of their seat wanting to know what will happen next. Hats off to Eric Edison for discovering a beautiful solution to one of the most common problems for any major Hollywood screenplay.

I had a lot of material to somehow shoehorn into an action plot with multiple subplots. External and internal journies with character growth. This book enabled me to break the story down to hero sequences that generated action and emotional character arcs. A big help

If you've ever read a book on screenwriting, you know that you're nowhere without some sort of story map, some sort of guideline to keep your writing sharp, tight, and filled with meaning so that the reader/audience will be captured at once and will have no choice but to accompany you on the journey you've created. Many of these "maps" fall short of actually helping you stay on course, sequence by sequence, so that there are no story gaps. Eric Edson's "The Story Solution" is the real deal. It's the only toolbox you'll need to help you create a compelling story with characters that jump off the page and get you noticed as a writer. After all, isn't that what we're all looking for?

There are so many screenwriting books on the market, but there are few that bring a new approach to storytelling. This book will make you look at movies in a whole new way and give you the key understanding to help bring your ideas to life. If you know anything about screenplay writing, you're probably already aware of the 3 Act structure, blah, blah, blah...this book dives into the nuts and bolts as to the "how" and the "why". The author introduces us to Hero Goal Sequences, an approach I have found to be extremely helpful. Now, my piles and piles of notes of my scattered ideas now have the tools to become a successful screenplay.

Usual knowledge not found in any other screenwriting book I've read, and I've read many. An easy read with current examples in film.

I have a vast array of books on screenwriting... everyone offers the slightly different solution to the three act structure. Each lends a helping hand to lift me out of the hole I've dug for myself. Story Solution is another rung in my story structure library... enjoy

The Story Solution shines a light on a formula hidden within Hollywood blockbusters and lays it out in a neat and simple way. Anyone from the beginners to professionals will walk away with great insight into what captivates an audience on screen and how to make sure that you don't forget to include it in your own work. There is no Ultimate Formula to writing Blockbusters but this is certainly a leap in the right direction.

With STORY SOLUTION, Eric Edson gives 20-23 (no less than, no greater than) steps that your protagonist must make to have a clear, tight, meaningful story. Don't worry, there's plenty of room for creativity; just check any of your favorite movies---they ALL follow these steps in one way or another. ***FOR BEGINNING SCREENWRITERS: Please don't make the same mistake as me in buying over a dozen books on screenwriting. To be honest, there's more than OVER a dozen good books on screenwriting. But, as happened with me, it's easy to get into READING about writing instead of doing what writers do…….write. For this reason, to save you time and money, I strongly recommend purchasing this book AND Inside Story: The Power of The Transformational Arc (by Dara Marks). The two books give you the BIGGEST advantage in avoiding two of the biggest pitfalls: Weak structure (Story Solution) and deep, emotional story that hooks us from the beginning with CHARACTERS that we care about (Inside Story). I don't mean to recommend the additional book as a knock on SS; I just really find that SS does an EXCELLENT job on structure. Inside Story does an EXCELLENT job on THEME, which Marks blends AMAZINGINGLY into story. But, to return to SS: Over 80% of the screenplays that have issues, poor structure and bland protagonists fill that pile. Make it to the next round of that famous screenwriting contest and purchase this book. Once again, a thoroughly enjoyable read.

Stories are challenging to write, whether you’re a screenwriter or a novelist. You might have a good idea for how a story could begin, but the middle of the story tends to knock many writers off their game. There are many great books on story structure because structure is what helps many writers get through the slogging middle of their story. Eric Edson’s Story Solution looks at many of the most popular stories and films and digs deep into their underlying structure to show you how you can make structure work for your story. Edson begins the book by laying a solid foundation for storytelling and screenwriting in particular. He argues for storytellers to seek to give audience members an emotional experience through story. He shows how to do this by discussing the role of conflict in story and Story Solution Highlights Edson’s chapter on dialogue is top notch, giving 11 solid principles for writing great dialogue. This is also part of a section on creating great characters, which is also helpful. The most important section of the book is Edson’s Hero Goal Sequences paradigm. He breaks up the major moments of any story into 23 sequences. It’s a helpful paradigm because it shows how the protagonist of a story chases one smaller physical goal as a step toward his main goal until he receives some new information that marks the end of his pursuit of the smaller goal. The end of one goal sequence is followed by the next. I’ve always struggled with how to create sequences of scenes in my stories and how the scenes tie together. The Story Solution went a long way in helping me understand the sequence breakdown of a story. If you’re struggling with how to structure a story you’re working on, Story Solution is a great resource. Review copy provided by Michael Wiese Productions

I have been writing using Prof. Edson's theories (as contained in this long-awaited book) for the past 3 years. I can honestly say that it brought my writing to an entirely new level. I used his methodology to craft the story for my recently-released feature film, "

Whether you're a novice, or seasoned professional, "The Story Solution: 23 Actions All Great Heroes Must Take" is a must have in your arsenal. Easy to understand, full of examples, and guidance from an established juggernaut in the industry. I highly recommend this, this treasure.

An absolute must for writers who utilize and respect the use of an outline. These tools can be used at the micro and macro level which I really enjoy. You can get some help with a brief outline, or use it to create an extremely detailed point-by-point plot with character arcs built-in and ready to go. A great buy!

I've had the honor of being taught in person by this man, and I'm so happy that this book has finally been released. The techniques and lessons that you will learn from this book are very valuable to any writer. Whether you're trying to break on the scene or you're an already established writer, I will guarantee that you'll learn something that you didn't know before. GREAT READ!!!

This is the best book on story writing I found. I've bought and read about 50 or so. THis is so precise in it's advice. The examples are so clear as well. It can be used almost like a checklist to see if you have all the elements you need to lift your story up and make people lean forward and want to know what happens next.

I just finished writing a screenplay using Eric Edson's Story Solution method. It is the best one I've turned out yet! My hero is active and the story really moves well. This book is a must read for the novice and experienced writer or reviewer who can't figure out what's wrong with a movie that they should love but don't. I highly recommend it.

We've all said some variation of the following while watching a crappy movie: "I can write a movie WAY better than this!" Admit it, you have. But have you ever actually tried to sit down and write a 110 page screenplay that makes the reader stay focused from start to finish and by the end they are begging you to find a way to make your script into a movie? Probably not. The reason isn't that your idea sucks, more than likely it's because your story lacks a sense of focus, depth, and momentum. We've all seen movies that lose out interest and even make us leave the theater wondering why anyone wasted their time and money to bring what you just saw to the big screen. Sometimes it's the studio making a movie ultimately suck; but a majority of the time it all goes back to the fundamentals of story. A lot of books - and I mean A LOT of books - have been written about screenwriting. Syd Field, Robert McKee, John Truby, Blake Snyder, Linda Seger, and host of others have mined the mysterious fields of the screenplay in order to tell new and experienced writers the perfect formula for writing a selling script. While these books do their best to make simplify a very complex process, they often become caught up in their own rhetoric and make the new writer so self-aware of rules, formulas, formats, charts and graphs that they freeze and give up without writing a word. So how do you go from frozen in time with your fingers poised over the keys to actually writing and completing a draft of a screenplay? The answer lies in Eric Edson's The Story Solution. This book breaks each aspect of a screenplay down into bite-size pieces that enable the writer to carefully construct their story and have it fully formed before they ever start to write in script format. What I liked best about the book was that it was very conversational. You never feel as if Edson is speaking down to you like some masterful oracle who knows more than you. He uses current films to exemplify his points and he does something other screenwriting books rarely do: he actually has examples of films that DIDN'T work and explains why. While it's nice to learn about The Godfather and why it's a well-structured film, it's also nice to see why other films don't have the amount of story or other aspects needed in order to make them a commercial success. And it makes sense that a film that has a solid story, strong hero, and even stronger villain can generate plenty of success at the box office. Edson shows the reader how to create a protagonist (hero) that audiences will like, how to make that hero change over the course of the film, and what types of characters can be used to help the hero along his journey. I really liked his emphasis on the villain and his explanations as to why the antagonist is so important and instrumental to the overall structure and development of the story and its hero. After a general overview of screenplay/story structure, we get into the meat and potatoes of Edson's genius: Hero Goal Sequences. He posits that each well-written screenplay contains 23 of these sequences that help guide your hero and the audiences through the course of the story. How exactly does it work? Does it really work on any commercially successful film? Edson not only explains in great detail how it works but also uses more than enough examples from commercially successful movies to prove his point. And you know what? It actually works! Each chapter is filled with exercises that allow you to try out Edson's methodology before you even begin the oftentimes harrowing journey into writing an actual script. Once you gain the confidence needed to go forward and take those first few steps you'll quickly come to realize that Edson's approach is an excellent guide to making your story come alive. Not only is the book an ideal must-read for screenwriters and novelists, but it's also a great book for those who just love and enjoy film. I learned a lot about story structure and character that has since made me a more critical thinker when it comes to watching films. Being able to identify and analyze a movie on a deeper level is something that this book enables you to do and in turn makes you a participant in your viewing experience. The Story Solution is a fantastic and entertaining read, a solid instructional tool, and a great way to delve deeper into the world of screenwriting and film. I highly recommend it.

Excellent explicit guide to character development and one of the clearest distillations of structure that I have read, with examples from well known films

I have many writing reference books on my shelf, but this one seems to be resonating better then the others. Maybe it's because of the many examples; I don't know, just know that I'm enjoying this one more then some of the others I've read.

This book will change the way you view character, action, and theme. It's clear, precise, and easy to follow. The elements shared within the pages of this book are priceless - if applied correctly, you'll be well on your way to becoming an excellent screenwriter. I have used his paradigm, applied it to a script I'm currently working on, and have seen the difference -- it's night and day. I suggest you purchase this book straightaway - don't think about it, don't pass go, just buy it. Study it. Apply it.

I held off writing a review of this book for some time. It's take on how to craft a screenplay is new and I didn't want to rush to judgement. Having read the book and worked with it's paradigm, I can say it is perhaps the most effective tool for crafting a focused, hero-driven script I've seen to date. At first glance, this book appears deceptively simple. It's contents and ideas are communicated cleanly and without excess. There's none of the asides I've seen in so many other writing books, asides which usually end up being nothing more that trips down memory lane for a writer trying to highlight moments in their own career. None of that. It's all about communicating Edson's ideas and his remarkable new paradigm. Do not be confused as others who've reviewed the book seem to be. This is not a formula for writing the perfect script. The screenwriting marketplace is full of books that say "you must do this" or "you must do that" by "X" page to create a successful script. This is, as I've said, a paradigm. It takes into account that there must be wiggle room on where certain elements of a story should appear to make a story work. Formulas tend to be far more rigged. I suggest people take time to try to work with the idea of Hero Goals for a while before they rush to judgement. If you really work at it, you'll see this is no simple tool. The idea of Hero Goals forces you to create a logical, connected stream of events that lead the Hero from one task to another in pursuit of a goal. Used wisely, this can be shaped to take any story to a deeper place than one might expect. The idea of Hero Goals forces you to think your story through in ways no other concept has put forth, at least in my opinion. If you use this concept wisely, there will be no floundering around as you muddle your way through Act II. How many times have we all suffered through that torture in the past? Most screen writing books seem to accept the mire that Act II becomes. Not this one. It begs you to spend the time plotting everything out before you put pen to paper. More importantly, applied well, it almost guarantees your hero will not be passive, the curse of so many first drafts. I've always been told, once you've done your homework, writing the script is the fun part. That has rarely been the case before. Using Hero Goals can make for some frustrating days, even weeks, as you do your homework and find the simple, connecting logic between each goal sequence, but once done, writing the script is truly easier and far more enjoyable.

Eric Edson backs up his Story Solution with deep and wide research of all the movies you've seen and many others. If you want to understand what makes a box office hit, read this book. I read it twice and took notes and it changed everything. Now I know why I enjoy some movies and could care less about others.

I've read a lot of books on writing. Story Solution is definitely one you want to consider adding to your library. While, yes, it might lead you into the dangerous realms of formulaic writing; it is packed full of integral writing advice. All the points you need to consider, as a writer of novels or screenplays. Story Solution is easy to understand. It delivers on its promise of offering a solution to any writing problem by showing you how to structure a story that works. All the necessary parts of a story you NEED to consider are touched upon here. Dozens of movie plots are used as examples. If nothing, the book is an interesting examination of movie plots. Put it this way: if you follow this book's advice, you'll probably start pumping out stories people would want to read pretty quickly. Stories that make sense, follow a cohesive structure, and present interesting characters. Whether you read this book or not, check out these excellent guides for writers: 1) Lessons from a Lifetime of Writing by David Morrell (Newest edition has a slightly different title.) 2) On Writing by Stephen King 3) Self-Editing for Fiction Writers 3) Outlining Your Novel by Weiland 4) Scene & Structure by Bickham 5) Any of Chuck Weltig's books on writing 6) Anne Rice's advice on writing from her Youtube page These should get your brain-engine overheating. Enjoy. 🙂

This book starts off some great how-tos I found very useful, and then it goes into structure, and I made notes on the entire book. I first read it, and then went back and wrote up notes on what I was learning. Wonderful book.

Unless you're Robert Towne, William Goldman or Paddy Chayefsky, this is a book you absolutely need to understand how stories on the screen are structured and impactive.

Eric Edson has written seventeen feature screenplays on assignment for companies such as Sony, Warner Brothers, Disney, 20th Century-Fox, ABC Motion Pictures, Lifetime, Showtime, NBC, and TNT. He's also written episodic television. He is Professor of Screenwriting and Director of the Graduate Program in Screenwriting at California State University, Northridge. In his new book, The Story Solution: 23 Steps All Great Heroes Must Take (Michael Wiese Productions 2011), he illuminates new passageways in the story creation process through his unique perspective and opens more doors of opportunity for writers to explore. He shares his secret recipe for creating character sympathy; nine key ingredients that are sure to foster audience identification with your hero or heroine and build an instant, emotional bond between them. As Eric states, "we go to the movies to feel deeply", but before the audience can do that, they must first "care deeply" about the protagonist. He has a simple and effective technique for helping you to create character conflict between the protagonist and antagonist. Eric also guides you through the major-supporting character categories, so you know exactly what each speaking character's function is and whether their purpose is to help or obstruct your heroine or hero. Weaved within Eric's 23 Hero Goal Sequences, which create the Action Storyline, is a three-step, Emotional Storyline; this makes the process of showing your Character Growth Arc much easier. In doing so, your audience can experience a sense of completion as the Heroine/Hero finally lays down their shield of emotional self-protection and achieves emotional freedom, allowing them to connect with others again on a personal level; a life process we all go through, when healing old wounds. In feature films as in life, people need not only a long-term goal, but short-term goals as well to keep them moving forward. The Story Solution provides screenwriters with the necessary steps their protagonists can take to make their journey active, emotionally fulfilling, and complete. I recommend The Story Solution for all screenwriters looking for a fresh, new approach to writing a great story.

excellant!!! Gave me a good basis for story telling in a cinematic way and the steps to incorporate an exciting, intriguing story.

Excellent book for keeping your story moving forward and not going off track. Highly recommend this book.

As screenwriters, we often start with a great premise or an unforgetable hero. We know some of the conflicts our character must endure in his goal pursuit and the perfect climax. Often though, we are lost in Act II as we work out all the series of events that must take this character through his or her trials. This book will help screenwriters find their second act, and furthermore, help writers avoid passive heroes (a common problem). Are the steps easy to learn? As with anything, it requires a little dedication and effort. You have to approach the book with a sincere desire to learn why other screenplays have been successful. The book breaks down the individual hero goal sequences from numerous films. Edson shows how an active hero goes through phases in his journey, but never ceases to employ some type of effort to attain the goal. Once you analyze the pattern, easily found in many major films, you can see why a book like this was an essential addition to any discussion of film structure. Also, it's a good troubleshooting guide for rewriting a script. Edson's section on character will help you find the missing link between your character arc and his goal pursuit. Or perhaps you're having trouble establishing a midpoint, leading up to the finals strive towards your Act II turning point. Use the sequences to decipher where your screenplay leads your character and how. Then you'll be able to isolate how certain scenes might not build to this midpoint or the turning point in a dramatic way. Thus, this book proves an important text for any serious screenwriter looking for a solidly structured screenplay with active heroes and a high stakes, engaging goal pursuit.

This amazing book is exactly what its title promises. It details plot twists, or pivotal moments, specifically when and where they must be placed in order to drive the story. Mr. Edson does this by analyzing the plotting of a thousand successful movies and he succeeds in uncovering the crucial element build for a compelling narrative. It"s an exhaustive piece of work that can save any fiction writer from going down that long, wrong, road toward a dead end.

A great book. The book to have for any writer.

Extremely helpful, in all regards and at all stages.

Eric Edson's book does a masterful job of taking a difficult and complex subject like story structure and breaks it down into an easy to comprehend rubric. I especially love the plethora of examples from past films showing his "Hero Goal Sequences" at work. Sure, Syd Field can tell you roughly where your act breaks could be in your script, but Edson's book delves deeper into the nitty-gritty of the path your hero needs to take to achieve their goal, and he does it wonderfully.

Excellent book for writers.

After reading a variety of "How-To" books on screenwriting, I thought I knew a lot about screen story. I didn't. This is the only book that will walk you through the specific steps your hero must take in order for you to create a successful Hollywood script!

I've never reviewed anything on Amazon, but after reading this book, I felt compelled to do so. As an aspiring screenwriter, I searched high and low for the perfect book to guide me on my artistic journey. Needless to say, my shelves are full of numerous screenwriting books and materials. Although there are a few good books out there, most of them say the same thing... write in a three act structure, develop meaningful characters, and keep the audience entertained. Of course, all of this information is useful, but no other book will break down your story into 23 specific parts and walk you through each part in complete clarity like "The Story Solution" by Eric Edson. The good news is that my sense of story dramatically improved after reading this book. The bad news is that I wasted a lot of time and money searching for it. Save yourself the hassle and don't waste money on other screenwriting books (unless you're rich and can afford it). This is the only book you'll need!